At Brooklyn Bridge Park:
The Maltese Falcon
To Catch A Thief
The Return Of The Pink Panther
Butch Cassidy And The Sundance Kid
Catch Me If You Can
Hudson River Park
July 8 - Iron Man (PG13)
July 15 - Vicky Cristina Barcelona (PG13)
July 22 - The Dark Knight (PG13)
July 29 - Hancock (PG13)
August 5 - Tropic Thunder (R)
August 12 - Sex and the City: The Movie (R)
August 19 - Pineapple Express (R)
The Sting (1973)
Robert Redford, Paul Newman and director George Roy Hill generate high-voltage chemistry in this light-hearted yet complex, overtly nostalgic look at 1930’s Chicago con men. Winner of seven Oscars and featuring the famous Scott Joplin piano rags.
Breaking Away (1979)
A teenage cyclist, Dennis Christopher, is besotted with all things Italian in a small Indiana college town. Things seem to be going nowhere for him and his townie buddies (Dennis Quaid, Jackie Earle Haley, and Daniel Stern), and he convinces them to take on the students at the Little 500 bicycle race. Flawlessly written by Steve Tesich and directed by Peter Yates.
Gold Diggers of 1933 (1933)
Nobody created pure Hollywood escapism productions better than Busby Berkeley, and this musical set the standard. Designed to transport Depression-enduring audiences, the plot involves attempts to put on a show, featuring Ginger Rogers, Ruby Keeler and Joan Blondell as the indefatigable Broadway show girls, and Dick Powell crooning the tunes.
Dog Day Afternoon (1975)
Al Pacino plays Sonny who needs money to pay for his boyfriend’s sex-change operation and decides to rob a bank to get it. Things go wrong and he’s soon bogged down in a long, drawn-out hostage situation. Sidney Lumet directed this gritty, darkly humorous drama set in Brooklyn on the hottest day of the year.
How Green Was My Valley (1941)
Winner of the Best Picture and Best Director Oscars (over “Citizen Kane”), this beautiful film is about a close-knit family in a Welsh mining village. John Ford directed the story, told through the eyes of a young Roddy McDowell, striking an incredible balance between moral seriousness and elegy.
Harold and Maude (1971)
Teenager Bud Cort and sexagenarian Ruth Gordon both like to go to funerals of people they don’t know, and meet to embark on one of cinema’s great relationships. Audacious and heartbreaking, Hal Ashby’s superb black comedy also features a perfect soundtrack by Cat Stevens.
The Defiant Ones (1958)
Sidney Poitier and Tony Curtis are opposites unhappily shackled together after escaping from a chain-gang in the South. As they flee from the police, director Stanley Kramer showcases the humorous and moving situations featuring memorable characters the fugitives come across as they fight for their lives.
Kramer vs. Kramer (1979)
Dustin Hoffman won an Oscar for his role as a father who will go to any length (even making French toast) to keep custody of his son. Meryl Streep is unmatched as his icy wife who walks out on him and returns to claim the boy, who is played by Oscar nominee Justin Henry. Robert Benton directs one of best acted films of the decade.
The Magnificent Seven (1960)
One of the most beloved Westerns of all time with one of the greatest scores of all time (by Elmer Bernstein). Seven mercenaries, including Yul Brynner, Steve McQueen, James Coburn, Robert Vaughn, and Charles Bronson are hired to protect a Mexican village under siege by large group of bandits led by Eli Wallach.
Close Encounters of the Third Kind (1977)
Steven Spielberg’s scifi blockbuster stars Richard Dreyfuss as a regular guy whose strange obsessions and journey turn fantastically clear at Devil’s Tower. Co-stars Teri Garr as his frustrated wife, and Francois Truffaut, the legendary French director, as a scientist seeking communication with extraterrestrials.
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